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Call for Papers for Special Issue

ARTS REVIEW No.30 ─ Jan, 2015

	Title	author	Page
1	The Mirror Image of Uploading Mode：New Structure of the Mirror Image in the Twenty-first Century	Chen, Yi-Chun	1-39
2	Stylization and Localization in Contemporary Taiwanese Theater:A Case study of the Aesthetics of E-mu-Theater	Mathias Obert	41-59
3	Finding the Voice on Stage: Voice Training in Theatre Studies in Taiwan	Yang, Hsin-Fang	61-102
4	For Promotion or for Interaction?The Analysis of Public Relations Communication Strategies Applied to Taiwanese Modern Theatrical Organizations’ Facebook Pages	Lin, Chih-An Liu, Huei-Ling	103-148

ARTS REVIEW No.29─ Jul, 2014

	Title	author	Page
1	The Nostalgia and Soliloquize of an Artist's Wife and Daughter: The Reviews of Two Generations of Women in Diaspora of Performances in the Memorial Hall for Painter Kuo Po-Chuan	Lee, I-Hua	1-44
2	The Significance and Practice of Buddhist Musical services of worship during the Northern-Wei Dynasty ─ a Case Study of the Celestial Musical Performers of the Heavenly Palace in the Sixth Grotto in the Yungang Grottoes	Lee, Mei-Yen	45-78
3	The Analogy between Music and Visual Art: Stravinsky, Goncharova, and Picasso	Pong, Yushun Elisa	79-118
4	The Possibility of the Folds of Matter in Simon Hantaï’s Paintings: Artworks Brought to the Unthought—the Labyrinth	Yen, Huei-Ru	119-150
5	An Analysis of British Contemporary Art in the 1990s	Chen, Yung-Hsien	151-186

ARTS REVIEW No.28 ─ Jan, 2014

	Title	author	Page
1	On the Method of Physical Actions in Bedhaya, Javanese Court Dance	Lin, Yu-Chen	1-34
2	Irresistible Sensation and Marketing: The Body and Gender Performance of Adah Issacs Menken on the Nineteenth- Century American Stage and off stage	Lin, Wen-Ling	35-73
3	The Value and Significance of Chinese Guqin Musical Iconography: “Fingering and Gesture Tablature”, a Fine and Colorful Collection: Tai Gu Yi Yin in the Ming Dynasty	Lee, Mei-Yen	75-100
4	A Study on the Effect of Nostalgia in Music	Hsieh, Yun-Lun	101-145
5	A Case Study Regarding an Autistic Band	Cheng, Kun-I Liu, Shih-Min	147-182

ARTS REVIEW No.27 ─ Jul, 2014

序號	Title	author	Page
1	A Preliminary Study in the Beginning of Han dynasty Pictorial Stones- Focus on the Early Han dynasty Sarcophagus	Kung, Shih-Wen	1-49
2	The Phenomenon of Inspiration from the Human Form in the History of Calligraphy from the High Tang through the Sung Dynasty	Kao, Ming-Yi	51-85
3	A Preliminary Background Study of Marcel Duchamp’s Bachelor Machine Getting On To The Modern and Contemporary Art Stage	Lin, Su-Hui	87-137
4	Relaxation: The Criterion of Taiwan Acting Training	Yang, Hsin-Fang	139-169
5	The Discussion on the Significance of “Li Being Derived from Gu and Dan” in the His-Shan’s Epithets on Qin Music Written by Hsu Hong	Lee, Mei-Yen	171-198

ARTS REVIEW No.26 ─ Jan, 2014

	Title	author	Page
1	Yumeji Takehisa's Doll-making Activities：Exploring Yumeji's View of Art and Ideas about Arts Creation	Wang, Wen-Hsuan	1-30
2	The media construction of the controversial art event－A case study of the issue about Dreamers the Musical	Liu, Ling-Chun Liu, Huei-Ling	31-69
3	The Context Analysis of the Utilization of 3D Camera Shots through Pixar Short Films	Lu, Shih-Yun ; Hsieh, Wei-Her Lo ; Chin-Cheng Chang ; Wan-Chiao	71-111
4	The “Qin” Musical Instrument of Musical Iconography in the Yungang Grottoes	Lee, Mei-Yen	113-143

ARTS REVIEW No.25 ─ Jul, 2013

	Title	author	Page
1	The Significance of the Tiao-i in Guqin Music—A Case Study of the Yu-Ko Tune and Yu-Ko	Lee, Mei-Yen	1-33
2	A Practice of Feminine Sentence Discoursing Art	Lo, Yuen-Yi	35-61
3	Exploring Phi Ta Khon Festival Masks How to Construct and Represent the Community Aesthetics in Dansai Thailand	Chang, Ya-Liang	61-99
4	The Temporal Referentiality in 2046 : The Continuity, Discontinuity and the Eternal Return	Liu, Yung-Hao	101-123
5	On Shirin Neshat’s Threefold Metaphor:The Feature Film “Women Without Men” as a Starting Point	Wu, Hsin-Yi Lai, Wen-Shu	125-159

ARTS REVIEW No.24 ─ Jan, 2013

	Title	Author	Page
1	The Significance of Musical Images on the “Fingering and Gesture Tablature” of Chinese Guqin in the Ming and Qing Dynasties	Lee, Mei-yen	1-35
2	The Intercultural Compositions of Hwang-long Pan and Nan-chang Chien since 1980s	Sung, Yu-jen	37-75
3	Gold and Silver Tea Vessels of Famen Temple:On the Aesthetics and Art of Tea Vessels	Kang, Tasi-yuan	77-109
4	The Investigation of “Dance of the Six Dynasties”	Liao, Pao-yi	111-125

ARTS REVIEW No.23 ─ Jul, 2012

	Title	Author	Page
1	A Study on One Yuns Three Gongs of Chinese Music Theory	Yang, Jin-Fong	1-37
2	The Viewpoints of “Light & Harmony” in the Nurturing of Culture through the Music of the Confucian Scholar Dun-Yi Zhou and their Influence on Li Xue Zhai Qin Pu Compiled by Xuan Wang	Lee, Mei-Yen	39-65
3	Music and the Sign	Wang, Mei-chu	67-97
4	Ibsen on Contemporary French Stage	Yang, Lilly	99-160

ARTS REVIEW No.22 ─ Jan, 2012

	Title	Author	Page
1	The Study of “Pu-Tian-Tong-Qing Troupe” in the Inner Court of Late Qing Dynasty	Yu, Fu-Kai	1-43
2	A Study of the Toga Festival in Japan	Lin, Yu-Pin	45-63
3	Looking into Labanotation in Taiwan	Wang, Yunyu	65-87

ARTS REVIEW No.21 ─ Dec, 2011

	Title	Author	Page
1	Decolonized Imagination : Modernity and Modern Dance in 1970s Taiwan	Lu, Yuh-Jen	1-38
2	The Research on Dong-Gao’s Qin-Tao and his Composing Qin Songs	Lee, Mei-Yen	39-65
3	Ricoeur on Art and Music	Chang, Chan-Yuan	67-90
4	We All Grew up Watching Plays this Way: Digital Collection of Originality in Theatre of Stan Lai, Chi-Mei Wang and Yi-Wei Yao	Yeh, Ken-Chuan	91-114
5	On the Mise en scene of Michel Vinaver’s Polyphonic Plays : From The Koreans to Overboard	Yang, Lilly	115-157
6	Avant-Garde.net : Aesthetic Language toward Constellation	Lin, Hsin-I Lai, Wen-Shu	159-196

ARTS REVIEW No.20 ─ Dec, 2010

	Title	Author	Page
1	The Analysis of Hsi K’ang and His Poetical Essay on the Lute by Van Gulik, Robert Hans	Hwang, Chieh- Li	1-27
2	Discussion on the Theme Extract and Music Score of Major Musical in the Tang Dynasty from on the Zither Score “Collection of Music Scores for Solo Zither”--Taking “Liang Zhou Ci,” “Sword Dance and Dance of Ethnic Minorities,” “Music for Return to the Palace,” “Dragon Boat Rowing,” and “Dance of Ethnic Minorities” for Example	Chang, Yao-Tzu	29-64
3	The Research of J. S. Bach’s Mühlhausen Cantata in the Controversies between Lutheran orthodoxy and Pietism	Lu, Wen-Yea	65-96
4	The Hidden Musical Dedication-Lyricism without Lyrics: Chamber Music by Brahms	Lee, Wei-Hann	97-121
5	The Comparison between Plato’s and Confucius’ Thoughts of Cultural Cultivation of Music	Lee, Mei-Yen	123-146
6	All Reflections on Musicality (Musikalität)	Tsai, Yuh-Sheng	147-166
7	Chinese Painting of the Great Time——Study on the National Image of Fu Baoshi’s Historical Figure Painting in the War of Resistance against Japan	Wan, Xin-Hua	167-212
8	A Study of Legal Issues Regarding the Parody of Business Trademarks in Artwork	Wu, Chieh-Hsiang	213-250
9	A Case Study on the Commentary of Traditional Opera on Newspapers: The White Snake and Hsü Hsien of the Ya-yin Ensemble	Chang, Chi-Feng	251-278
10	To Explore the Structure and New Significations of Tchekhovian Plays : Analysis of Stéphane Braunschweig’s Three Mises en Scène	Yang, Lilly	279-314

ARTS REVIEW No.19 ─ Dec, 2009

	Title	Author	Page
1	The Transgressive Aesthetics of Bernard Rancillac’s Realism	Liu, Chun-Lan	1-23
2	Study on the Imagery of the Void by Using the Art of Andy Goldsworthy	Sun, Chien-Yu	25-42
3	The Pluralism Myth of “Postmodern” and anti-definition －A Critique on 2007 Asian Art Biennial “Have you eaten yet?”	Tsai, Pei-Ling	43-67
4	Confined Space：The Predicament and Prospect of NTCH’s Theaters	Yang, Chyi-Wen	69-86
5	Songs of the Mudan Village (sinvaudjan)	Chou, Ming-Chieh	87-148
6	Enlightening from the Phenomenology of Music—Exploring the Music of Debussy	Pong, Yushun Elisa	149-187
7	A Discussion on the Significance of ‘Harmony’ of Hsi-Kang’s Qin Fu	Lee, Mei-Yen	189-207
8	The Music Aesthetics of Claudio Monteverdi	Che, Yen-Chiang	209-242

ARTS REVIEW No.18 ─ Dec, 2008

	Title	Author	Page
1	“Choreographies and Choreographers” — a History of the Term Choreography Original English Text With Chinese Version	Susan Leigh Foster Translated by Lin Ya-Tin	1-25
2	Global Modernity, Nationalism and ‘New Dance’: An Analysis of Development of Modern Dance in Pre- 1945 Japan	Chao, Chi-Fang	27-55
3	Appropriation and Legitimization— The Adaptation of Chinese Yueqin in Nineteenth Century Japan	Lee, Ching-Huei	57-80
4	The Dualism of Sacred and Profane by Eliade on the basis of the Act 2 Scene 1 in Britten’s “Peter Grimes”	Chen, Wei-Yang	81-121
5	The Artistic Life of Ji Kang	Hwang, Chieh-Li	123-166
6	Taiwanese crafts movement of Yen Shui-Long and Yanagi Muneyoshi -The Folk Crafts（Mingei）in a Comparative Perspective-	Lin, Cheng-Wei	167-195
7	“Who is Speaking？”-- The Strategy of Public Address in Krzysztof Wodiczko’s Performative Projects	Li, Yueh-Tuan Lai, Wen-Shu	197-224